The first Western of Calhoun and Madison
You, dear e-reader, and indeed theater audiences
in 1949 too, might have expected a cavalry Western named Massacre River to be full of action. However, this black &
white Allied Artists effort is rather more of a torrid frontier romance, with a
love triangle central to the plot.
Lts. Guy Madison and Rory Calhoun, real
pals, both love the colonel’s daughter Kitty (Cathy Downs, a Fox player who was
the eponymous Darling Clementine of John Ford’s Wyatt Earp saga and was Rod Cameron’s
squeeze in Panhandle, but who later descended
to 1950s B sci-fi flicks). Kitty turns Rory down in favor of Guy. Rory is
awfully decent about it.
Rivals for Cathy's hand
But then the triangle becomes a love quadrilateral
because Guy meets and falls for a racy saloon gal, Laura (Carole Mathews, in
her fifth of nine B-Westerns – she did a lot of Western TV shows later,
especially The Californians). This
does rather complicate things.
But then there's the other woman...
There’s a hint of snobbery because Rory
is a West Pointer and Kitty very posh while Guy, and of course Laura, are from
the other side of the tracks.
There is a background of Indian trouble.
Chief Yellowstone (Iron Eyes Cody) and Colonel Reid (Art Baker) want peace but
the chief has trouble controlling his young hothead braves, who prefer the
warpath. But honestly, this only really is a setting; the movie happens to be
set in the Wild West but that’s incidental. It could just have easily been a
gangster movie or a war film.
Still, to be fair, it does get a bit more
Western in the last reel.
It was in fact Guy Madison’s first
Western. Madison had been a handsome young actor spotted by David O Selznick
late in the war. From 1951 he would be James Butler Hickok, with the portly
Andy Devine as his comic sidekick Jingles, in one of the most successful radio
and Western TV shows ever, Adventures of
Wild Bill Hickok. This lasted for eight full seasons, pretty well all through the 50s, and Madison became
really associated with the part. But he did a few big-screen Westerns between seasons, such
as The Command, Reprisal! and Bullwhip.
At the end of his career he did a good number of spaghetti westerns, which were
not very good (to put it mildly). Generally, though, he was OK in our beloved genre.
As for Calhoun, he was the same age as
Madison and debuted at a similar time, having been spotted by Mrs. Alan Ladd
and getting a screen test at Fox and being also taken up by Selznick. Massacre River was his first Western
too, so he and Madison were a real pair. He featured in Fox’s A-movie A Ticket to Tomahawk, which was to have
been a John Ford picture (but in the end wasn't), and also with Robert Mitchum and Marilyn Monroe in the Otto Preminger-directed River of No Return, but then he became
a B-Western specialist, and was very solid in the genre too. You might want to
try Utah Blaine, say, or The Yellow Tomahawk, The Silver Whip or Raw Edge.
Nice AZ locations
So Massacre
River does benefit from the leads. In minor parts you can also spot Franklyn
Farnum, Kermit Maynard, Jason Robards Sr. and Douglas Fowley. The problem isn’t
the acting, more with the script and direction. The former was by Louis
Stevens, who wrote a few Roy Rogers oaters but also quality work such as Streets of Laredo or Horizons West. This time, though, he couldn’t really break away
from the six-gun romance aspect. The director was John Rawlins, a movie
jack-of-all-trades who helmed a few B-Westerns – like Fort Defiance or The Arizona Ranger. Competent, we might say, if uninspired.
The picture was shot by Jack MacKenzie in
rather fine Canyon de Chelly locations in Arizona, with added use of RKO's Fort Apache set, and the print quality is
good. It's in black & white, though some early prints were in Sepiatone. There are some luminous landscapes. Allied Artists had grown out of Poverty
Row studio Monogram and had, well, I won’t say delusions of grandeur but let’s
say grand ambitions to make A-pictures, and they did throw some budget at
movies like this.
The New York Times wasn't very polite about the picture, calling it "a snarled romance" with "stilted, amorous bickering" and added that it was "murder in more ways than one" but though it is very much a late 40s/early 50s oater,
and rather more a 'who'll get the girl?' picture than an action Western, Massacre River is nevertheless enjoyable, especially later on, and it has
certain qualities. It's interesting, too, as the Western debut of Guy 'n' Rory. Give it a go, e-pards!
Having read some widely differing opinions of this film (from disparaging to almost minor classic), I was keen to finally see it and when that did at last happen I was very pleasantly surprised. Pretty good western overrall.
ReplyDeleteMadison made a few western features, some very good, others not so. Calhoun though is a big favourite of mine. As you say, Jeff, his work in the genre was solid and I would endorse the titles you mentioned but many others too.
Hi Jerry
DeleteYes, Calhoun was superior to Madison in Westerns, I think. Tomorrow a review of one of Rory's best ever!
Jeff
Actually MASSACRE RIVER was one of Rawlin's Ventura Productions
ReplyDeletereleased through Allied Artists. FORT DEFIANCE is even better and
ROGUE RIVER (also with Calhoun) a modern day Western is pretty good
too.A cynical modern day audience might site "gay subtext" especially
with Rory and Guy "horsing" around in the bathtub.
I like the scene where Guy returns to barracks to find Rory busy
sewing,,,"a woman's work is never done" sighs Rory...cute!
Jeff have you managed to track down THE HARD MAN...Madison never better.
ReplyDeleteI wish that he had made more Westerns of that quality.
I agree his Spaghetti's are often dreadful although he aged well and
looked fine in those films...what a waste. I would rather he stayed
home and did some A.C.Lyles epics even those would have been a step up
from his Spags.
Hi John
DeleteI agree about Fort Defiance - good Western and Ben Johnson rarely better.
No, I haven't seen The Hard Man yet. Will try to do so.
Best wishes,
Jeff
Hi Jeff
ReplyDelete'The Hard Man' is available in the collection 'westerns de legende' (Sidonis), you know with the annoying subtitles. Nevertheless they have already released many fifties westerns and they continue to do so. For me it's the only way to get these "oaters".
Bart
Yes, I ordered it yesterday! Review soon...
DeleteThe subtitles are annoying but to be fair the picture quality is always high.
Jeff