American creation myth
To complete our reviews of the trio of
Westerns that came out in 2015 (the other two are Bone Tomahawk and The Hateful Eight) which are now available on DVD, a word or two on
The Revenant.
Back in May 2013, in a post on Jim Bridger, I wrote a little about the ordeal of Hugh Glass. I didn’t know then
that they would make a movie about Glass, still less an Oscar-winning epic with
Leonardo DiCaprio. But the story of Hugh Glass is certainly a dramatic one.
Hugh Glass
Westerns don’t win Oscars. Oh, there
were a few notable exceptions, like Cimarron
and Unforgiven, but as a general rule
even undeniably great pictures like High Noon or The Searchers didn’t get
near the Best Picture award. So when The
Revenant won Best Motion Picture last time round (and several other Oscars
too, including Best Actor and Best Director) well, that was good news. If, that
is, you regard The Revenant as a
Western - it’s an 1820s mountain-man story. I do, because it has several
Western aspects to it – a difficult journey in the wild, a brave loner
determined to right wrongs, hostile Indians and a revenge pursuit, for example.
It was directed and co-written by Mexican
Alejandro G Iñárritu and based on the 2002 novel by the multi-talented Michael
Punke. The movie does play a bit fast and loose with historical fact but we don’t
hold that against Westerns, do we? They are not supposed to be documentaries after
all. The point is that it makes a gripping story.
Alejandro G Iñárritu
The two lead personages are Hugh Glass
(Leonardo DiCaprio) and John Fitzgerald (Tom Hardy). Their characters are
established right from the get-go: Glass is taciturn, tough and a bit of an
action man (a classic Western hero, in fact) while Fitzgerald is snide, sour
and hyper-critical. They don’t develop, really: they remain that way
throughout.
Tom Hardy as Fitzgerald
A young Jim Bridger plays an important
part, though. He is played by Will Poulter, 22 (Bridger was 19 so that will do).
The question of whether Bridger deserted Glass is not skated over but it is rather
excused because of his young age, and blame squarely apportioned to Fitzgerald.
Glass himself did in fact pardon Bridger, just because of his youth. Jim
Bridger has appeared often in movies, starting with the silent movie The Covered Wagon in 1923 when Tully
Marshall took the role, which he reprised in the talkie Fighting Caravans in 1931. Most Bridgers were absurdly false (e.g.
Van Heflin in Tomahawk) so it’s good
to have a plausible Jim, as here. Glass has also appeared on the screen, small
and big, impersonated by John Alderson in Death
Valley Days and Richard Harris in Man
in the Wilderness (though he had a different name in that epic). DiCaprio’s
is certainly the most authentic so far, despite the monkeying about with
history.
Will Poulter as Jim Bridger
The movie opens with action, as the
trappers’ camp is attacked by Arikara Indians and Glass gets the survivors
(including Fitzgerald and Bridger) to the river boat and relative safety. The
attack on Glass by a grizzly is brilliantly filmed. It’s utterly realistic. I
have no idea how they did it, CGI I suppose, but it’s outstanding. Glass’s injuries
were horrific and it is no wonder that his companions gave him up for dead. But
he did not die.
The grizzly
The film Glass has a backstory of an
Indian wife (Grace Dove) and son (Forrest Goodluck), and the son is among the
party and does all he can to save his father but is murdered by Fitzgerald for
his pains. By now Fitzgerald is firmly in the villain camp, and probably has
too few saving graces (none, actually) to make him credible. Tom Hardy is a
Londoner but you wouldn’t know it. He featured in Inception, Band of Brothers and Black Hawk Down, among others, and he
does a good job as Mr. Nasty here.
Of course a dead wife and son is a
common Western trope. It allows the hero to be both tragic loner and loving
family man at the same time.
Most of the movie is (justly) taken up
with Glass’s survival and grueling journey to safety. He braves cold, Indians,
hunger, rapids and of course his appalling injuries. To rub salt in the wound,
Fitzgerald stole his rifle. He starts by crawling but gradually hobbles, then
walks. Later on he athletically leaps aboard a horse to escape the Arikara
posse. In reality the grizzly had broken his leg, which he set himself, so I
don’t think he would really have been doing Tom Mix stunts to get mounted but
never mind. Later he disembowels and crawls inside the corpse of this horse,
which gives scope for plenty of steaming offal in the snow to wrinkle the noses
of the viewers.
Injuries
He does have help, from a nameless
Pawnee (later murdered by French trappers, who are also baddies - On est tous des sauvages) and from a
woman who (I think) is the daughter of the Arikara chief pursuing the white
men. I say “I think” because it isn’t really made clear. But he finally makes
it to Fort Kiowa and safety.
The last part of the picture concerns
Glass’s revenge-pursuit of Fitzgerald. History tells us that Fitzgerald had
left and joined the US Army and was unreachable by Glass, who did, however,
retrieve his rifle from Bridger, but we don’t want mere historical truth to get
in the way of a good story so we have a bloody dénouement in the snow.
Mr. DiCaprio, a versatile actor whom I
admire, does an earnest job as Glass. For much of the movie he has no one to
talk to/interact with and that must make it hard for an actor but he manages to
transmit the toughness, grit and determination (fueled clearly by a lust for
revenge) that drove him on against nigh-on impossible odds. DiCaprio started Westernism in the perfectly dreadful The Quick and the Dead in 1995 but made up for it with Django Unchained and this one.
The ending is left open, deliberately, I
am sure. Does he survive the final revenge ordeal? I take comfort in history:
Glass lived another ten years and died in 1833.
Wow
Visually the movie is superb, shot by
Emmanuel Lubezki, much-nominated for Oscars (understandably so, judging by this
picture) in Tierra del Fuego, Alberta and Arizona locations in a washed-out
blue & white, like William A Wellman's Track of the Cat as close to monochrome as a color film can get. I also liked
the somber and tragic music by Carsten Nicolai and Ryûichi Sakamoto.
To see.
Not carping, just curious - what kept you from giving it a four revolver rating?
ReplyDeletePerhaps I was ungenerous. It's certainly a powerful film and visually very strong. But 4-revolver Westerns are pretty rare on Jeff Arnold's West! Maybe it needs time to see how the picture 'matures'!
DeleteJeff
the revenant solarmovie is one of the most beautifully-shot films on losmovies I have ever seen. I lost count of how many scenes I sat there in utter amazement, which is undoubtedly due to the brilliant directing and spectacular cinematography: there's no shaky-cam, no quick-cut editing, and a lot of incredibly complex shots which appear to have been completed in a single take. If all films were shot similarly to how the Revenant is, then the movie industry would drastically improve.
ReplyDeleteSee more
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I do agree that the film is visually very fine.
DeleteJeff
Jeff, to keep on our conversation on how to name these films - as said for Drums along the Mohawk, I am suggesting "colonial westerns" - convenient also for Jeremiah Johnson, Far horizons, A Man called horse, Big Sky, Man in the wilderness, Unconquered and many others - Alamo !? - I have just found an Inarritu's interview saying his fill is a "pre-western", far simple inst'it !?
ReplyDeleteExciting to see Inarritu will be the president if the jury of the next festival de Cannes.
About The Revenant I agree with Stereosteve about the 4th revolver...
Even if I am not satisfied with the arriving too quickly final showdown and non historic arrangements - Henry has never been killed by Fitzpatrick and maybe that's why his name in the film is Fitzgerald... !? Also the French trappers as baddies... Most of the crews of "voyageurs" of any fur company were French (since Nouvelle France including Québec had been taken by the perfide Albion in 1763). Wether the Rocky Mountain Fur Company - founded by Henry and Ashley -, the American Fur Company - JJ Astor and Chouteau -, or the Hudson’s Bay Company - created by the French -!- Radisson et Des Groseilliers thanks to the british Prince Rupert's fundings, the Missouri Fur Company, the Bent, St. Vrain & Company, all had French employees or shareholders.
I presume it was easier for the script to show a bipolar antagonism when the reality was much more complex... A little like the Indian rivalries too.
I hope that both multi gifted Leonardo DiCaprio and very versatile Tom Hardy will have other Western opportunities. JM
Not sure that some of the ones you mention are "colonial". JJohnson mountain men pictures or Far Hs exploring ones, or 'Indian' movies like AMCHorse. 'Pre-Westerns' does it quite well for those 18th century frontier dramas.
DeleteI agree that Leo Di C is a fine actor, though his Western The Quick and the Dead was very bad indeed!
Jeff
Pretty awful you are right! I have never been able to watch anything else but its trailer and I had seen enough... A waste of talents considering the cast! A young LDC - or a young Johnny Depp - could have been a superb Billy the Kid and bringing new generations to like the genre. JM
ReplyDelete