"Each man has a song and this is my song." (Leonard Cohen)

Sunday, March 31, 2013

William Holden


The Westerns of William Holden

William Holden (1918 – 1981) was a very big star. He won an Oscar and was nominated twice more. He was named one of the "Top 10 Stars of the Year" six times (1954–1958, 1961).

But this was really for non-Western movies. Sunset Boulevard, Stalag 17 and Network would probably be the first films that came to mind if you asked most people about Holden. Maybe The Bridge on the River Kwai.

Yet for me he remains one of the best Western actors of them all. Not that he made many. He only did two in the 1950s, the golden age of the genre, and only eleven in all. But he was always absolutely excellent in them. A good Western hero needs to be tough, a bit of a loner, self-reliant, knowing, brave, decent. Holden came across as all these. Maybe also a love of danger helps. Holden said, “I don't really know why, but danger has always been an important thing in my life - to see how far I could lean without falling, how fast I could go without cracking up.”

William Holden started as a young half-contract player with Columbia doing two cheerful black & white Westerns named for states, Arizona (1940) and Texas  (1941). He was very good in them. He said, however, that he did not want to be typed in “Smiling Jack” roles and he wasn’t, at least as far as Westerns were concerned. He starred in three in the post-War period, the excellent, noirish The Man from Colorado with his pal Glenn Ford in 1948; Rachel and the Stranger, an interesting 1948 love-triangle picture with Robert Mitchum; and a picture which grows on you, Paramount’s Streets of Laredo in 1949, a remake of the 1936 Texas Rangers.

After a pause, in the 1950s came the superb John Sturges-directed Escape from Fort Bravo, then in 1959 John Ford’s The Horse Soldiers with John Wayne.

Four later Westerns completed his Western career: Alvarez Kelly, a Civil War drama, in 1966; his greatest ever performance in The Wild Bunch in 1969; and two in the early 70s, the cult Wild Rovers and the more routine but still good The Revengers.

Of course these eleven pictures varied in quality; how could it be otherwise? But his own superb performances did not. They were uniformly excellent.

By clicking the links below you can read reviews of the eleven Westerns.

Early Westerns:

1.        Arizona (Columbia, 1940)
2.        Texas (Columbia, 1941)

Post-War Westerns:

3.        The Man from Colorado (Columbia, 1948)
4.        Rachel and the Stranger (RKO, 1948)
5.        Streets of Laredo (Paramount, 1949)

Only 2 in the 50s:

6.        Escape from Fort Bravo(MGM, 1953)
7.        The Horse Soldiers (UA, 1959)

Later/revisionist Westerns:

8.        Alvarez Kelly (Columbia, 1966)
9.        The Wild Bunch (Warner Bros, 1969)
10.      Wild Rovers (MGM, 1971)
11.       The Revengers (NGP, 1972)


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