A fine Western
1968 was the year of the
gigantic Once Upon A Time In The West but actually the better Westerns
of the year were smaller, more intimate films such as The Stalking Moon and,
in particular, Will Penny. Will Penny is an outstandingly good movie,
probably Charlton Heston’s best Western work. It also benefited from superb acting in
the supporting parts: as it is a cowboy film in the proper sense of the word,
by which I mean a tale of drovers and their life, Ben Johnson and Slim Pickens
were perfectly cast and did a great job (as they always did). Anthony Zerbe was
very convincing as Dutchy and Lee Majors solid as Blue. The cowboy scenes come
across as authentic and the distressed costumes and real nineteenth
century firearms all help. We see how tough and harsh life on the frontier
really was. There is no glamor. And it’s cold!
Bruce Dern is good, as
always, as the psychotic hillbilly son of the mad preacher. Jon Gries, who
played the young boy, said that he was genuinely frightened of Dern on the set
and that was good – the terror shows!
Mother and son on the inhospitable frontier
The movie was both written
and directed by Tom Gries - and both writing and direction are first class. The
tough and tender are marvelously blended and neither overdone. With a rough cowboy
befriending a mother and child this could have become sentimental or mawkish.
That it was neither is a tribute to fine acting by Joan Hackett as Catherine
and the writer’s son Jon as her boy Horace, as well as the writing. Gries had
written and directed an episode of The
Westerner TV show, “Line Camp”, and this movie is a kind of expansion of
that.
Director/writer Gries
You so want Heston and
Hackett to get together, you are willing them on. But the ending is right. Will
Penny is a truly decent man. He has no graces, is gauche, illiterate and has,
tragically, no experience of building and sustaining relationships. I don’t
think Heston has ever done anything finer. He himself said that he thought it
was his best performance. He once said, "The
script for Will Penny was one of the
best I ever read, it made a marvelous Western." I actually don't much care for Mr. Heston in Westerns, I'm afraid. He always seemed so sour somehow and he was in some really bad ones - like Arrowhead and Pony Express. But he is excellent in Will Penny, far and away his best Western work.
His best Western
With Lucien Ballard behind
the lens and the Inyo National Forest in front of it you are bound to be in for
a visually beautiful work and you are not disappointed.
The music is a bit ho-hum.
But the only real weak point is Donald Pleasence. He overacted in a number of
Westerns, including some spaghettis, and he sure doesn’t hold back in this one.
His scenery-chewing performance as psychotic father-figure with almost as nasty
sons seems to have been modeled on the Cleggs in Wagonmaster, only there it was well done.
Hamming it up as usual
The late Roger Ebert in the Chicago Sun-Times, always a perceptive
critic, said, “What we forget is that fairly few people in the old West were
engaged in striding down Main Street at high noon or shooting it out with Wyatt
Earp. Most of the people in the West were cowboys, and most of their time was
spent in the company of cows.”
That is true, of course,
and in Will Penny we feel we are seeing the real West.
Will they make a new family unit?
Ebert continues: “Another
fact -- one that has gone unrecognized in every Western I can remember -- was
that most of the cowboys were new arrivals in America, and spoke with a variety
of European accents. Dodge City was probably as much a polyglot collection of
recent immigrants as the Lower East Side of New York. Will Penny occupies this land of
'real' cowboys most convincingly. Its heroes are not very handsome or
glamorous. Its title character … is a man in his mid-40s who has been away from
society so long he hardly knows how to react when he is treated as a civilized
being.”
There’s a nice little
reference to Shane at the end, and indeed the ending is quite moving –
until the spell is broken by a rubbish song warbled by Don Cherry. Never mind,
it’s an excellent film and certainly the best offering of ’68. Put it on the
must-see list, boys and girls.
Great hat
Heston said of it, "Hats are very important. I used that hat in about four Westerns. Then someone stole it on me. Wish I could find him. I’d kill him. You get a good hat, you gotta hang on to it."
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